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turvas: i see your point, and I have considered this for many hours myself before I started the project, but as i have mentioned earlier...I did this image because of composition.
The logical thing to do is to have houses all the way down the street, and if i do this I am sure it will turn out fine. But in the viewpoint of composition, leaving the sky in there, creates "lines" for which your eyes will follow back down from the top of the image, down the the center, and even to the bottom, but by also having that 2nd awning in there, it will divert your eye back to my central object in the scene, which is the bakery, (...the large building on the left side with the awning). All lines (whether obvious or sublte) will lead your eyes back to the central subject in the scene/composition.
chamenas: thanks, I will be texturing it once i am done modeling the scene, which i think will take a few more weeks to fully finish the detailed modeling process.
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when evil is afoot, and you don't have any arms, you've gotta use your head. And when evil is ahead and you're behind, you've gotta do the legwork. But when you can't get a leg up, you gotta be hip. You gotta keep your chin up, and kick some-... |